(3 customer reviews)

SAE 2HP-D Dual Mono Power Amp

$ 24,000.00

“One To Rule Them All”  Doug Blackburn, Widescreen Review 

The SAE 2HP-D is the most powerful, the fastest, most quiet, transparent, and reliable power amplifier available today and is rated Class A by Stereophile.  It features 600 Watts Per Channel x 2 at 8 ohms, 1200 Watts Per Channel x 2 at 4/2 Ohms, FTC Power Rule Rated. THD + N @ Rated Power is < 0.005% at -128 dB SNR. It operates in Class A/B, Fully Balanced From Input to Output.

It is Designed and Manufactured in the U.S.A. with a 7 Year Warranty. 

This product is a special order, custom-built.*

Significant Highlights:

  •  Dual mono design with separate and independent power transformers, power switches and line cords;
  •  High temperature (Class F rated) toroidal transformers each with 1930 VA;
  •  Separate and independent transformer windings for the input and output stages;
  •  Independent transformer windings for each half of the balanced amplifiers;
  •  Independent bridge rectifiers for each half of the balanced amplifiers;
  •  Four layer circuit boards used throughout; each with separate power and ground planes;
  •  Mirror imaged board layout with a perfectly centered ground point. The circuit is both electrically and physically balanced;
  •  Solid copper bus bar;
  •  Current feedback for improved amplifier control and virtually unlimited slew rate;
  •  Double transistor input stage;
  •  Dual-DC Servos virtually eliminate any DC offset;
  •  ThermalTrak output devices optimize bias in real-time;
  •  All protection circuitry is optically coupled and outside the circuit path. It is self-resetting;
  •  Built-in distortion limiter compares amplifier input and output and supply voltage to output voltage before engaging.
  •  When engaged, amplifier clipping is eliminated and THD cannot exceed 1%;
  •  User selectable forced air (fan) cooling may be engaged or disabled as necessary.
  •  Virtual VU and Frequency Spectrum Display Meters. These meters uniquely show the amplifiers instantaneous peak power output and average power output simultaneously without the inertia that causes inaccuracies in mechanical meters.

 

 

Description

Fifty years ago, SAE’s first component, the MKII stereo amplifier, rearranged the amplifier world’s power structure. Per Stereophile, a pair of MKll’s had sweeter highs and dramatically improved bass when compared to the industry’s then acknowledged “best.” Our latest, the dual-mono 2HP-D, repeats the exercise. If a gold medal were available in the category, we’d predict victory. 

SAE (Scientific Audio Electronics) first commercial product was the MK II, a stereo amplifier capable of 60 Watts RMS per channel introduced in 1967. When it was reviewed by J. Gordon Holt, Stereophile’s editor-in-chief, he wrote, “under most conditions, (the SAE MK II) is the best-sounding solid-state amplifier we have heard to date.” This was praise, indeed, for any non-tubed amplifier during that day and set the stage for a series of ground-breaking SAE amplifiers designed by such industry luminaries as Ed Miller, Morris Kessler, James Bongiorno and Jerry Curtis.

Thus, expectations for our newest design, the SAE 2HP, were set sky-high. We needed to insure that our new amp would never be the limiting factor in any audio system no matter how grand. Regardless of the cost, the 2HP needed to be more powerful, quieter, faster, more transparent and more reliable than any available.

To accomplish this goal, SAE’s co-founder and chief engineer Morris Kessler, took an advanced topology pioneered by Bongiorno and enlisted Curtis, one of Bongiorno’s colleagues and an early SAE engineer, to polish the gem. The topology was a take on the balanced-differential design that has become common for advanced high-performance amps where each channel is comprised of two amplifiers driven in bridge mode. When properly executed, bridged amplifiers power and speed (slew rate) increase and noise is cut in half.

Bongiorno’s improvement, now included in all current SAE amplifier designs, retains the push-pull output stage, but is now run from only a single 4-quadrant input. The use of only a single input stage improves performance. Noise is again cut in half and slew rate improved. Complications do ensue but they were solved by using current feedback instead of the more common voltage feedback, dual DC Servos to maintain low-frequency response and impeccable board lay-out. With the 2HP, Curtis worked to insure each amplifier was not only electrically balanced and mirror imaged, it was also physically balanced around the fulcrum of the central ground point. Every improvement he wrought, lowered distortion and noise.

One Channel of the Dual-Mono SAE 2HP Amplifier

Each channel consists of a huge, custom-wound toroidal transformer,
2 amplifier output stages each with 7 output devices (14 total) and 93,600 µF of filter capacitors.
Jerry Curtis immaculate board layout is in full evidence. Each half of the main board is not only electrically balanced, it is also a mirror-image of the other half.

Board layout itself is not the sole factor in the prodigious capability of the SAE 2HP-D. Kessler, who has been designing solid-state amplifiers for over 50 years, specified the use of innovative ThermalTrak output devices. With ThermalTrak, the temperature sensor required for the amps’ bias tracking is actually built into the same package as the output transistor. This allows accurate real-time bias and performance optimization. Whether the amplifier is just turned on or has been operating for hours, playing pianississimo or triple forte, the 2HP-D is always operating at its optimum.

The prodigious power output of the SAE 2HP requires a prodigious power supply. Or in this case, two supplies as the 2HP is a true dual-mono design with each channel completely independent. From the rear panel one can easily discern the amplifier has two line-cords, two power switches and for maximum power, each should be connected to its own 20 amp AC circuit. Only the front-panel power switch and rear-panel trigger input join the two.

Inside, each channel has a custom-wound toroidal transformer with hand-selected low-noise core and independent secondary outputs with one for each half of the two bridged output stages feeding independent rectifiers and a bank of 12 3900 µF filter capacitors for total power supply storage of 93,600 µF per channel. Further, the capacitors are located as close as possible to the amplifier outputs to reduce power supply resistance and further improve performance.

With 28 output transistors (14 per channel) the amplifier can deliver current into any load down to and including two ohms and the amplifier is designed with complete but unobtrusive protection circuitry. There is no current limiting in the 2HP and the audio signal never passes through any protection circuits. All protection is optically coupled and outside the signal path. Should a problem occur, the power supply is immediately disconnected and a timer starts. Every 10 seconds, the problem is reevaluated. When safe operation can be restored, the amplifier resumes play automatically. 

Any amplifier as powerful as the 2HP must be designed to dissipate heat effectively and silently. Under virtually all operating conditions, convection cooling with air passing unassisted through the massive heat sinks is sufficient to maintain proper operation. In those rare situations where long-term high power operation is required, the user can engage an auxiliary cooling fan to assist maintaining proper thermal equilibrium.

Virtual VU Meters

SAE not only set amplifier performance standards, our innovative use of rack­mount chassis and massive VU meters also made the brand a design leader. For the 2HP-D, Kessler and company developed “Virtual VU Meters, LCD displays where moving electrons display power output. With neither inertia nor mass, the meters accurately display peak and average power simultaneously . Should the user so choose, the meters can be be switched to a dual-channel frequency spectrum display.

The SAE 2HP-D received a “CLASS A” rating and recommendation from Stereophile in their March 2017 issue and is still listed today.  Its the “best of the best”.

 

Specifications:

Inputs: One Balanced (XLR) jack per channel
Input Impedance: 47 k Ohms. Balanced for each phase
Input Sensitivity: 2.82V RMS input for 600W into 8 ohms
Gain: 27.8 dB
Polarity: Balanced; Pin-2 = Positive, Pin-3 = Negative for Non-Inverting Output
Speaker Outputs: WBT Low-Mass Binding posts 4 per channel; One 4-Pole Speakon connector per channel
Modes/Process: Standby: Amplifier is ready to be turned on via front panel switch or remote trigger.
Overcurrent, D.C., and/or thermal protection: Amplifier will cycle.
Catastrophic D.C. or output stage failure: Amplifier will shut down.

POWER OUTPUT
Per Channel with all channels driven:                            8 ohms         4 ohms           2 ohms

20-20 kHz, <0.01% THD, Watts RMS:                        600 WRMS   1200 WRMS  1200 WRMS                                                                       
1 kHz, 0.01% THD, Watts RMS:                                 746 WRMS    1350 WRMS  1350 WRMS                                                                 
1 kHz, 0.01 % THD, Horsepower:                               1 HP                1 ¾ HP          1 ¾ HP                                                               
1 kHz, 1.0% THD, Watts RMS:                                   860 WRMS   1400 WRMS   2000 WRMS                                                            
CEA 20061 kHz Burst Power, Watts RMS:                 1100 WRMS  2000 WRMS  3400 WRMS                                        

HARMONIC DISTORTION
THD + N, 20 Hz to 20 kHz at rated output THD+ N, 1 kHz at rated output: 0.01% 0.01% 0.01%
THD+ N, At 10W: At Rated Power 0.005% 0.006% 0.008%
At 10W 0.0015% 0.003% 0.003% 

INTERMODULATION DISTORTION:  

SMPTE or Twin-Tone: Less than 0.01%
Frequency Response, +o, -3 dB, 8Ω: 5 Hz to 150 KHz

Damping Factor:  >600 at 100 Hz

Signal to Noise Ratio:  -128 dB referenced to rated output (A-Weighted)
Slew Rate:  >60V per microsecond
Crosstalk:   > 110 dB

Damping Factor: >600 at 100 Hz;

Power Requirements:  117V AC, 50/60 Hz or 230V AC, 50/60Hz depending on version

Power Consumption:  Less than 1W x 2 at Standby; 1800W maximum x 2 from 2 Separate 20A Circuits (2 Power Cords Required)

Trigger Input:  3-24 VDC; Steady State
DIMENSIONS: W x H x D: 19” x 8¾” x 20” add 1” for feet and 1½” for connectors; 483 mm x 222mm x 508 mm
Add 25.4mm for feet and 38mm for connectors.

Weight:  127 lbs. / 57.6  Kgs.

*FAQs

Additional information

Weight 127 lbs
Dimensions 20 × 19 × 8.75 in

3 reviews for SAE 2HP-D Dual Mono Power Amp

  1. Bob Ankosko, Sound & Vision Magazine 2016

    “As for those captivating meters: Unlike analog VU meters—which, at best, provide a rough indication of power output—the ones used in the 2HP-D are more akin to the RPM needles used in Ferraris. The new virtual meters are amazing, They have no mass, so 2HP-D can use two pointers to accurately track and report instantaneous power and average power at the same time Talk about mesmerizing. Performance is further enhanced through the use of Thermal Trak output devices with built-in temperature sensors, which enables the amplifier to be optimally biased in real time regardless of the operating conditions, and a hybrid design that marries convection cooling via massive heat sinks with a (defeatable) auxiliary cooling fan that kicks in when power demand is extreme. The mission behind SAE’s new flagship was simple and ambitious: To build the best two-channel amplifier in the world, a project that took nearly a year to complete. No wonder the amp costs $24,000.” Bob Ankosko, Sound & Vision 2016

  2. Michael Fremer, Stereophile 2016

    “The SAE 2HP-D is a super-powerful, ultra-low-distortion, low-noise, high-tech power amplifier. It produced tightly controlled bass; fast, clean, delicate, precise transients; dynamic punch to spare; and delivered bountiful musical thrills…. Its top end was lightning-fast yet smooth, and well refined without overdefined leading edges…some recordings—particularly rock—came to life in ways I hadn’t previously heard in my system.” Michael Fremer, Stereophile 2016

  3. Doug Blackburn, Widescreen Review Dec 2017

    “That brings us back to the beginning of this review: One amplifier to rule them all. There’s nothing more I can say really. You could pay more for an amplifier, a lot more, but I can’t see that getting you anything material in terms of what is coming out of your loudspeakers. These are the quietest, noise-wise, amplifiers I’ve ever experienced. The SAE amplifiers also have more detail, texture, and color to the music than any amplifier I’ve experienced before. I know I said some of the same things about the Datasat amplifiers. The SAE amplifiers are a few steps ahead. If the prices aren’t an issue, these are the amplifiers you want in your system.” Doug Blackburn, Widescreen Review Dec 2017

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